Nadia

Nadia moved to Berlin for six months of a music production course and stayed for the eleven years after it. She produces from a room with no daylight and a window that opens onto a courtyard, which she says is the correct amount of window for the job.

Her records are patient — long intros, drums that arrive when they are ready. She plays them out on weekends, mostly in rooms small enough that she can see the back wall.

She teaches a monthly workshop for women and non-binary producers, and that is the part of the calendar she refuses to move.